Arzu Aliyeva How do you create the best documentary film?

The perplexing logistics aspect of creating a documentary is rarely addressed by students of cinema.  Arzu Aliyeva Arzu Aliyeva who is an Azerbaijani filmmaker, asked us a few questions. Aliyeva is well-known director as well as documentary producer, who has had to face numerous logistical difficulties during her projects. Aliyeva has been behind production of films like "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will discuss and deconstruct the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary film production
Filmmaking isn't like other analytical fields such as accounting or finance. Arzu Aliyeva asserts that every stage of filmmaking follows their concept which they've formulated as a director. She explains that no production is identical to its predecessor, just as snowflakes.

But, all productions begin with "preproduction."  https://www.caspianenergy.club/index.php/az/component/k2/item/417-arzu-aliyeva-president-of-baku-media-center This means that the filmmaker should have an idea of what their film will appear like before the camera starts rolling.

It is now time for you to plan your movie. Aliyeva believes that planning is a term that is simple, but has a profound meaning.  Arzu Aliyeva It means building your budget, creating shot lists, interview outlines as well as determining the budget, and establishing your schedule. All of that should be completed before you even start.before switching on your camera.

Once you have reached the final stage of production , now it is time to put your planning into action. Aliyeva reminds movie productions, "Nothing ever goes according to plans." Although you may prepare more than a lawyer in an action case however, things could change drastically in practice. Aliyeva says it's crucial to collaborate with your movie and not against it.

It is now time for the post-production phase. Once you've taken all the material, it is time to determine what's worth keeping. Aliyeva says most of it will be left on the floor of the editing area.

Did you finish your movie? Great! Now is the time to show it to people.  Arzu Aliyeva Arzu Aliyeva says that distribution is not something filmmakers are taught. Documentaries aren't in the same popularity as feature films unless they are big-budget epics. It can be promoted on the web or try it out at big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts by using a camera once she's asked. Documentaries require two essential elements, regardless of their size or budget. The film needs to be seen and heard. That means investing in the top camera you can buy and having audio aids to assist people in absorbing the film you've shown them.

After that, there are many other filmmaking tools that can assist you in communicating your message. It all depends on the kind of documentary you're making. If you're creating documentaries based on interviews or archive footage, it would be advantageous having a great lighting. Cameras as well as audio stability devices are vital if you plan to make a movie that involves a lot of outdoors shooting.

Aliyeva asserts that everything is very personal and can be changed according to the nature of project. Equipment is a significant part of your budget in the pre-production phase.

How Do I Make a Documentary?

Arzu Aliyeva states that there's no standard length for a particular project.  Arzu Aliyeva Some projects may take several months while other projects can last several years. Aliyeva says that it all depends on the subject and your interest. Documentaries are often about significant social issues. The film will help you track the progress. A filmmaker can go into the project believing it will take him several months, but reality can swiftly extend the time to several years.

Another factor that could reduce or increase the length of your film is your budget. Unexpected adjustments can occur in your budget when you're in the pre-production or production stages. Aliyeva categorizes it into two broad scenarios.

The least likely option. You probably ate too many calories and spent too little money on production in the beginning. That leaves you with very little or no funds for the remainder of your film. Aliyeva is of the opinion that this could be a learning experience for you as it relates to how to keep your project running even when you have very little money.
The less probable one: According to Aliyeva the less likely scenario is only available to the most fortunate filmmakers. This is where producers and major companies learn about your idea and decide to invest in it in the near future. This could provide a significant boost to your project and open up possibilities you have never dreamed of.
Aliyeva inquires about the amount it would cost to produce documentary.
Along with the other factors discussed in the article, the price of your movie could also be very project-dependent. Arzu Aliyeva preaches to anyone who asks her to be very prudent when planning the budget.  Arzu Aliyeva It is essential to know precisely what you are looking for in each film stage. The length of your film and how large will determine the price of your film.

Arzu Aliyeva There is no need for a massive budget when you're making a film that is based on stories and testimonials. The more expensive the film is, the higher the cost. Production values, location numbers and the overall investment in the film's features all play a role in setting the cost of films.

Aliyeva believes that vision is often defined by the price. Make sure that your vision is worthy of the expense.