Arzu Aliyeva: How do you create the top documentaries?

The haunting logistical aspect of making a documentary is seldom addressed by students of cinema. We have asked Azerbaijani filmmaker, Arzu Aliyeva, a few questions to get more information about it. Aliyeva is well-known director as well as documentary producer, who has had to face many logistical issues when working on her projects. Aliyeva has sat in the director's seat in films like Son Iclas" and "Objective: Baku. Hitler's War on Oil

This article will look at and analyze various aspects of making documentary films.

The stages of documentary production
Filmmaking isn't like other areas of analysis like finance or accounting. Arzu Aliyeva asserts that every stage of documentary production is based on their vision which they've laid out as director. She explained that each film differs from the previous one.

Even still, every production begins by completing "pre-production." This simply signifies that before a camera starts rolling the director must have a pretty good idea of how the film will appear.

Once you've figured out what your movie is about, it is time to plan it accordingly. Planning is, obviously, a small word with significance behind it, Says Aliyeva. It involves scheduling, planning the budget, interview outline, building your schedule, and setting up shooting lists. All of this should be set and done  before switching on your camera.

Once you've reached the production stage , it's time to put all your planning into action. Aliyeva reminds us all that film productions are not predictable. You'll be able to plan better than a lawyer in the class action lawsuit, however, things may change when you're in the field. Aliyeva says that you need to evolve with your movie and not try to rewrite it.

It's now time to go through the post-production stage. Once you've taken all the content after which you can see what is worth preserving. Aliyeva mentioned that the bulk of it would be left within the editing area.

Did you finish your movie? Great! Now it is time to present it to people. Arzu Aliyeva said that filmmakers do not learn how to market their work. Documentaries don't have the same amount of demand as feature films , unless they're epics with big budgets. The film could be promoted online, or you can try your luck at the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
If asked, Aliyeva jokes claims that everything begins with cameras. Documentaries require two essential elements, regardless of budget or size. The film should be seen by the audience, and they must hear it. That means you'll need the best audio equipment and camera so people can hear what you've shown.

Once that's settled There are a variety of filmmaking tools that can help you communicate your message. This is contingent on the kind of documentary you're making.  Arzu Aliyeva It is helpful if you were able to create good lighting films based entirely on interviews and archives footage. It is recommended that you consider investing in a camera as and audio stability devices for when you want to make the film with lots of outdoor footage.

Arzu Aliyeva Aliyeva states that everything is very personal and can be exchanged dependent on the kind of project. Equipment is an essential part of your budget during the stage prior to production.

What is the amount of time required to create a documentary?

Arzu Aliyeva says that there isn't a set duration for a project. Different projects can take just a few months or several years. Aliyeva states that it's focused on the subject and your love for it.  Arzu Aliyeva Since Documentaries typically deal with important social issues and issues, the film is able to follow these issues when they take place in reality.  Arzu Aliyeva Filmmakers can enter an idea thinking it will take him several months, but reality can quickly extend it to a few years.

Another aspect that could make your movie shorter or longer is your budget.  Arzu Aliyeva Unexpected adjustments can occur in your budget when you're in the production or pre-production stages. Aliyeva categorizes it into two main scenarios.

The less likely one. You probably ate too many calories and spent too little money on production during the early stages. It leaves you with the least amount of money available to invest in the remainder of your film.  Arzu Aliyeva Aliyeva believes this can be a learning moment for you regarding how you can keep your film alive , even with very little money.
The less likely This scenario is for filmmakers lucky enough to be able to make it happen as Aliyeva suggests. This is where big companies and producers get to know about your project and decide whether to fund it in the future. This can boost your efforts and open doors you never imagined.
What's the price for a documentary to be made according to Aliyeva
The cost of your movie as with other components in this post, is largely dependent on the scope of your project. Arzu Aliyeva advises anyone who is requesting advice to be aware of budget planning. It is essential to know your film's goals for each stage. The length of your film and the size of it will ultimately determine the amount of your film's cost.

Arzu Aliyeva There is no need for a massive budget when you're making a movie about stories and testimonials.  Arzu Aliyeva The price of a movie is determined by the size of the film. The price of many films is ultimately determined by location numbers, production values, and the overall expenditure on the film's main features.

Aliyeva believes your vision is usually defined by cost. So, make sure that the vision justifies your costs.